The form does not stop. It activates.
It cannot be understood from a fixed point. It demands displacement.
The fish is no longer a stable volume. It becomes a variable signal.
The work changes according to position, light and time.
It is not offered all at once.
It is constructed through movement.
Motion does not accompany the form. It constitutes it.
At this point I enter into dialogue with Calder, Tinguely and Schöffer

The form moves. Now it is thought.